Thursday, March 28, 2013

The Writer's Notebook circa 1926

As a writer, I have at least two notebooks going at any time. I carry one in my bag and I have at least two in my office. Sometimes I get confused...which notebook did I write that odd conversation in? What did I do with so-and-so's business card? I know I had that receipt somewhere...

Yesterday, amid the scrapbooks and the letters, I found one of Amy Blanchard's notebooks. It is a true writer's notebook from 1926, packed with illegible notes and other detritus of the writing life.

There was this typed onto  the front of the notebook:



A list of stories and poems that have sold and stories that need to be sold:



A clipping that could be an idea for a story, or just something that caught her eye:




Possible plots:


A trusty list of important words:


A random crochet pattern:


A receipt:


Wednesday, February 27, 2013

Review of Y by Marjorie Celona

by Meganne Fabrega, special to The Minneapolis Star Tribune

You don’t read much about foundlings these days; the word itself has an old-fashioned, vaguely romantic ring to it. The truth is that foundling is just another word for “abandoned child” and Shannon, the protagonist of Marjorie Celona’s haunting debut novel, “Y” (Free Press, 259 pages, $24.99), finds nothing romantic about having been left on the doorstop of the YMCA shortly after her birth.
As a baby, she cycles through a succession of foster parents — Raquelle, Julian, Moira, Par — but none of them will commit long-term to Shannon, a child who describes herself as a cross between “Shirley Temple and a pug.” After one home changes from unstable to dangerous, Shannon is moved yet again, this time to a foster home that has the feel of a squalid way station, with each child left to fend for herself.
Eventually, Shannon is taken in by Miranda, a single mother who has a daughter named Lydia-Rose who is just Shannon’s age. It is not a perfect situation, but it’s the best option Shannon has. She and Lydia-Rose form an uneasy alliance, but Lydia-Rose makes it painfully clear to Shannon that there can only be one “real” daughter in the picture.
Along with Shannon’s narration of her childhood is the story of her biological parents, told from the shaky borders of her parents’ young lives. “In four days my parents will abandon me,” says Shannon, “but tonight my parents are childlike and laughing.” Yula and Harrison are frightening characters, but Celona skillfully uses Shannon’s voice to elicit a sense of empathy for these two lost souls.
As Shannon grows from a painfully self-aware child to an even more uncomfortable adolescent, she can’t let go of her visceral need to find her biological family. After running away to Vancouver, she returns to find that Miranda has little tolerance for her teenage rebellion and she is forced to choose between the life she was given and a future, and family, of her own choosing.
Her need to fit in is palpable and heartbreaking. “How do you become a part of one’s family?” she asks, “You don’t, and you never do.” After reconciling with Miranda, she begins her search for her original family in earnest, tracking down the man who first found her that morning on the steps of the Y.
In Shannon, Celona has created an unforgettable heroine, a girl who is navigating the perils of adolescence with the added complications of her indeterminate past. “Y” is both uplifting and devastating to the reader, and in the end, a novel about loss that is nearly impossible to forget.

Wednesday, February 20, 2013

A perfect morning for a book

This is February.


Black branches against a blue sky, with some white cloud cover to break up the monotony of grey-tinted snow and brown forsythia branches awaiting their moment. I'm kind of regretting not picking up that book about cloud identification at the thrift store last week. Maybe it's still there, waiting for me.

Here are some titles I've read this month:

  • LOVE IS A CANOE by Ben Schrank. Sometimes even the self-help gurus don't always know what they're doing.
  • GIVING UP THE GHOST by Hilary Mantel. I really liked EIGHT MONTHS ON GAZZAH STREET, and after hearing her on Fresh Air I wanted to read her memoir. No, I haven't tackled WOLF HALL yet and I probably won't. (As an aside, check out this recent article over at Talking Writing about the dumb questions women writers get asked.)
  • SWEET HELL ON FIRE: A MEMOIR OF THE PRISON I WORKED IN AND THE PRISON I LIVED IN by Sara Lunsford. If you want to read about the real, raw truth of what it's like to live and work in a prison community, read this. Even if you don't want to know, read this. Warning: Not for the squeamish.
  • SUGARHOUSE: TURNING THE NEIGHBORHOOD CRACK HOUSE INTO OUR HOME SWEET HOME by Matthew Batt. An utterly charming, funny memoir about renovation, marriage, and the bittersweet journey between your twenties and your forties.

Other titles that are out this month:
  • GHOST MAN by Roger Hobbs. AGF and I took the advance copy of this on our vacation last year and neither of us could put it down. A really good thriller, perfect escapist reading.
  • THE BURNING AIR by Erin Kelly. Sharp writing and plotting, a really tight mystery for fans of Denise Mina and Mo Hayder.
  • AN ENLARGED HEART: A PERSONAL HISTORY by Cynthia Zarin. A really sweet collection of vignettes of Zarin's life in and around New York. Her descriptions of her wardrobe made me want to run right to the tailor.
  • PRACTICAL CLASSICS:50 REASONS TO REREAD 50 BOOKS YOU HAVEN'T TOUCHED SINCE HIGH SCHOOL by Kevin Smokler. I've been reading excerpts from this book for a while now so I'm excited the whole book is out! Perfect timing for those of us who have a high school reunion coming up. (Ahem.)

Monday, February 4, 2013

Hours most impelling

Amy Ella Blanchard and an issue of Book News

I found a clipping in this old copy of Book News that promoted Amy's latest book Because of Conscience. Amy juggled a very busy life with extensive travel while writing (almost) every day. I really love the last paragraph of this one page promo:

"The labors of the writer who would invest his historical tales with realism must include much reading, copious note-taking, careful reference, and patient research. It is my own plan to give much time to these preliminaries before the actual writing of a book is undertaken, but once begun it progresses steadily. The morning hours from nine to one are those which I find most impelling."

Wednesday, January 30, 2013

Show me the money


“I’m not getting paid,” a writer friend of mine said to me the other day. She is productive and well-known in her industry and beyond. “I hate collecting money.”

This isn’t only a problem for freelance writers, every business in every industry struggles with getting paid on time. For some reason though, it’s harder to stand up for yourself when you’re a writer and you say “I need to get paid on time/ at all for my creative efforts that you liked, accepted/assigned, promised payment for, and published” than to ask to get paid for a carton of widgets that you delivered.

On and off throughout my writing career I have had a side business as a bookkeeper…seems counter intuitive  right? Left brain vs. right brain, good vs. evil. While toiling away in front of QuickBooks has been less than fun, it has taught me a lot about managing a business account, and if you’re writing for pay you have a business. I’ve been on the accounts receivable (getting paid) side and the accounts payable (paying others) side, and I’ve had a successful track record in collections for a long time.

So what are your options if you’re not getting paid in a timely matter, or at all? Let’s start from the beginning:
  •         The best defense is a good offense. First of all, before anything, sit down and create some kind of system for tracking your assignments. Print out the email with your assignment details and terms and put it in a folder. Create a document and title it with the month you expect to get paid. Handwrite a list with columns for publication, assignment, fee, deadline date, and payment date. Buy a money management program or download one for free. You see where I am going with this. If you’re not organized about tracking what’s owed to you how do you expect to get paid in the first place? Make up a system that works for you, even if it consists of a giant wall of sticky notes (not that I recommend it). If you are owed a lot of money right now, the first thing you should do is create a quick list of who owes you how much and for what. Write down as much detail as possible. You’ll need it.
  •       Your editor is not in accounting. One reason your editor is great at what she does is that she is not in accounting. She finds writers, she juggles a schedule, she assigns pieces. Yes, she should be the one to initially  tell you what, when and how you will be paid, and get the ball rolling, but unless there is a vital piece of paper sitting on her desk unsigned, she is not the reason you are not getting paid. If you have an outstanding bill you should contact your editor and politely ask who you should contact in the accounting department because you haven’t been paid yet for X assignment that you turned in on X date. (This is where being organized comes in.) She would probably happily give you this information because it will be one less thing that is not her job that she has to deal with. If it is her job, this might spur her on to pay you.
  •     Just the facts, m’aam. Now that you have the accounting person’s contact information, prepare yourself. These people work in numbers. They aren’t unfeeling robots, but they don’t really care if your cat needs an operation or if your last pair of jeans ripped yesterday. THAT HAS NOTHING TO DO WHETHER YOU SHOULD BE PAID OR NOT. Be nice, but firm. You delivered a product, but they haven’t held up their end of the deal. It’s nothing personal.
What works:
“Hi! How are you. I was assigned X piece on X date for X amount of money working with X. Can you tell me the status of payment for that assignment, or if I need to provide anything else in order to get paid?”
This basically says:
“Hi, I am a professional talking to another professional , I am giving you the benefit of the doubt that maybe I did not provide a piece of paper you need but that by being a responsible vendor and calling to follow up that you will pay me.”

HERE IS MY BEST PIECE OF ADVICE FOR COLLECTING MONEY AND HAS WORKED OVER AND OVER AGAIN…ARE YOU READY? Note down who you talked to, what time you talked to them, what you said, what they said, and when they said you would get paid. If they don’t have an answer or an exact date your check will be cut ask them when you can call back for an answer or to follow up on payment and MARK THAT DATE ON A CALENDAR. When you call back on the day you said you would, and you have all of the details of your past conversations/emails you have the advantage. Keep calling back, don’t be rude, just persistent. Trust me, it works.

Also you need to face the fact that with some pubs, as with some businesses, it’s up to you to follow up on payment. I’ve had some dream clients, and still do, who are incredibly organized and pay me in a very timely fashion once I’ve completed the requisite paperwork. But if you’re putting off your invoicing, whether it’s due to disorganization, lack of knowledge, or viewing these outstanding invoices as a kind of savings account, you can’t expect your client to pay you on time.

Which me leads to...
  •  It’s not you, it’s them. Usually the above actions should get you paid. If they don’t, here are some of the most common reasons you might not be getting paid:

o   The publication is disorganized. Maybe there’s restructuring going on, they don’t have an invoicing system, they lost your invoice, they don’t have your tax info but never told you they didn’t so they just didn’t pay your bill.
o   Your editor is unaware that he didn’t get accounting the right paperwork. This should be taken care of in your first contact with the editor, or accounting would tell you that the editor isn’t responding to their requests. Or maybe your editor is just disorganized, and that’s just a bummer.
o   There’s a cash flow issue. Sadly, the bottom line is that you’re not getting paid because there isn’t enough money. It’s very common. I’ll tell you from my perspective of working for several businesses that have had, ahem, cash flow issues, the polite persistent vendors get paid first. (Well, after the electric company and payroll.) Sometimes it’s just how a business has to run for a while, and it’s your decision whether to continue working for a business like this or not.
o   You may never get paid. Sorry, that sucks. I once spent a lot of time writing for one pub that had paid me in the past, but then they folded and I never got a dime. It’s just a hazard of the business. Move onwards and upwards and chalk it up to experience.

I hope this has been helpful, and if you have any comments or would like a follow-up post with tips for writers on accounting issues (not tax info, just organizing your business), leave a comment below. Good luck!




                            

Thursday, January 24, 2013

Books! Books! Books!


So I was speaking to a friend on the phone yesterday and she said “Can you recommend some good books? I went to your blog but you didn’t mention any that you’ve read lately.”

After I got over the shock that someone besides craftivore is reading my blog, I thought about what she had said. Just that day I had run into one of the fab ladies from Ceres Bakery in front of the New Fiction stacks at the library and she asked me the same question. After I jabbered her ear off for 20 minutes, I left the library with a real sense of satisfaction.

I love my job as a book reviewer. I work with awesome editors, books magically appear on my doorstep, and I always have a new book to read on my nightstand in paper and electronic forms. (For the record, I prefer paper.) I even get paid to read books! A dream come true.

But, at the end of the day I still read a lot more books than I am assigned and I need to tell someone how good they are. I’m pretty busy talking about books on twitter, so I had forgotten that there are a whole bunch of people I love talking about books with in real life! At the grocery store! At the library! At the bookstore! At the bakery!

As I said in a post last summer, sometimes my mind just draws a blank when I get asked to recommend a book. That same post had a record number of hits, which was much more gratifying than this month’s hits, which appear to be mainly originating in the Ukraine. (I guess I’m pretty big over there- budmo!) This year I will post a list around the first of the month of all of the books coming out that month which I have either read or I want to read. I’m sure in the process I may miss some good titles, so please chime in and leave a comment with what you are reading.

Since it’s been over seven months since I have posted a good list, I’ll direct you to the mind-blowing round up of “Best of 2012” book lists at largeheartedboy’s site where there is something for everyone. In the meantime, here are a few January titles to check out this month and some that I read at the end of 2012 and really liked.

The postman leaves a trail of footprints...and books!
  • The Art Forger by B.A. Shapiro; Speedy little art-themed mystery (with a focus on Degas) that takes place in Boston and involves the Isabella Stewart Gardner Museum, fun for locals and art lovers.
  • The Twelve Tribes of Hattie by Ayana Mathis: A novel told in stories, her first book. I read it and liked it before Oprah announced her as the latest Oprah book pick. (Take that as you will- I know O will be calling me any minute now for tips!)
  • Listening for Madeleine: A Portrait of Madeleine L’Engle in Many Voices by Leonard S. Marcus: Interesting and made me want to re-read A Wrinkle in Time.
  • Errantry by Elizabeth Hand: See my previous post for my review for the Trib. A lovely, haunting book for fans of Angela Carter or Kelly Link.
  • Elsewhere by Richard Russo: A memoir about his journey as a writer, but also about his complicated relationship with his mother. I loved it.
  • Names for the Sea: Strangers in Iceland by Sarah Moss: I have a weird fascination with Iceland, so this was the book I've been looking for. A British professor writes about the year she spent in Iceland with her family after the financial crash of 2008. I ordered this directly from the overseas publisher, but I see that there will be a U.S. edition pubbing in May.
  • Lit by Mary Karr: This is an older title, and I can't believe I hadn't read this memoir yet. It was as amazing as everyone said.
January titles:
  • News from Heaven: The Bakerton Stories by Jennifer Haigh: I have been a longtime fan of Haigh, but couldn’t quite get into her last novel (Faith). These short stories were great and made me want to re-read Baker Towers.
  • y: A Novel  by Marjorie Celona: I’ll post my review for the Minneapolis Star Tribune when it runs...a notable debut.
  • Calling Dr. Laura: A Graphic Memoir by Nicole J. Georges: Super-talented artist with a fascinating story to tell. I love graphic novels and memoirs, and I'll be writing about them for an upcoming issue of Library Journal.
January titles I haven't read that have caught my eye:
  • The Painted Girls by Cathy Marie Buchanan: Another book focused on Degas, or rather, on one of his subjects. I love the artist/ art-themed novels, so I am excited to check this one out.
  • The Good House by Ann Leary: Lots of good buzz for this one on twitter.


Thursday, January 3, 2013

Review of ERRANTRY by ELizabeth Hand

Meganne Fabrega, special to the Minneapolis Star Tribune


As I was reading "Errantry: Strange Stories," the phone rang. I answered it and whispered "Hello?"
"Why are you whispering?" asked my friend.
"I'm reading this really bizarre book of short stories," I said. That was my short answer. But the long answer is this: I'm whispering because as I was reading Hand's stories in my quiet house on a cold December day, the threads of my reality frayed a bit along the edges and it would take more than a telephone's ring for me to pull myself back together. I'm whispering because I'm scared to disturb the intricate and delicate worlds that Hand has created in this collection of stories that alternately draw me in and scare me away.
Hand has written across many genres, including science fiction and mystery, but this collection cannot easily fit into any one box. She leads the reader lightly down a thickly wooded trail between disparate universes littered with loss, despair, spiritual pilgrimages and restless characters.
In every story the natural world gains the upper hand -- sometimes slowly, sometimes suddenly. In "The Maiden Flight of McCauley's Bellerophon," a "green flare" shoots up from the ocean to envelop a model plane making its inaugural flight, as its creator seeks solace by rewriting history. Jeffrey in "Near Zennor" seeks out the fogou, an underground structure in the Cornish countryside, in order to follow in his dead wife's footsteps -- with unsettling results.
In "Hungerford Bridge," a story that could easily double as a painting, a creature that transcends time lives beneath a London bridge and enchants its very select audience. "It was green -- a brilliant, jewel-like green ... feathers shot through with iridescent mauve and amethyst as it moved. Its eyes were the rich damson of a pansy's inner petals ... its snout ... the same deep purple as its eyes."
It's no surprise to find that an Icelander makes an appearance in "Winter's Wife," since Hand's writing is so obviously and richly influenced by Iceland's storytelling culture and its inhabitants' firm belief in the Huldufolk, "the hidden people." Many characters throughout "Errantry" are tucked away, just out of sight but still integral to each story.
In "The Far Shore," on the precipice between this life and another, "Philip stared at the darkness that hid the lodge, that hid everything and everyone he had ever known. Life did not work like this, love did not work like this. Philip knew that. Only stories did, where wonder trumped despair and desire overcame death."